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Before Einstein
‘Before Einstein’ brings together previous scholarship in the field of nineteenth-century literature and science and greatly expands upon it, offering the first book-length study of not only the scientific and cultural context of the spatial fourth dimension, but also the literary value of four-dimensional theory. In addition to providing close critical analysis of Charles Howard Hinton’s Scientific Romances (1884–1896), ‘Before Einstein’ examines the work of H. G. Wells, Henry James and William James through the lens of four-dimensional theory. The primary value of Hinton’s work has always been its literary and philosophical content and influence, rather than its scientific authority. It is certain that significant late nineteenth-century writers and thinkers such as H. G. Wells, William James, Olive Schreiner, Karl Pearson and W. E. B. Du Bois read Hinton. Others, including Henry James, Joseph Conrad and Ford Madox Ford, were familiar with his ideas. Hinton’s fourth dimension appealed to scientists, spiritualists and artists, and – particularly at the end of the nineteenth century – the interests of these different groups often overlapped. Truly interdisciplinary in scope, ‘Before Einstein’ breaks new ground by offering an extensive analysis of four-dimensional theory's place in the shared history of Modernism.
- Cover
- Half Title
- Series Information
- Title Page
- Copyright Page
- Contents
- Acknowledgements
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Introduction
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Charles Howard Hinton (1853–1907)
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Before Einstein: The Literary Fourth Dimension
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‘Ambulatory Relations’
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Part I: Reading the Fourth Dimension
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Part II: Reading Through the Fourth Dimension
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The Literary Fourth Dimension
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Part I Reading the Fourth Dimension
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Chapter One Imagining ‘Something Perfectly New’: Problems of Language, Conception and Perception
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The New Geometries
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The Dimensional Analogy
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Before Hinton: The Fourth Dimension 1846–1880
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Hinton’s Early Influences
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The Ruskinian Imagination
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Hinton’s Hyperspace Philosophy
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Chapter Two Constructing the Fourth Dimension: The First Series of the Scientific Romances
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‘What Is the Fourth Dimension?’
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Victorian Thermodynamics and the Fourth Dimension
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‘The Persian King; or, the Law of the Valley’
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‘Casting Out the Self’
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Chapter Three The Four-Dimensional Self: Personal, Political and Untimely
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The Hintonians
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Gendered Temporality
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Stella as Experiment
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Untimely and Invisible
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Nietzsche, the ‘Disadvantages’ of the Past and An Unfinished Communication
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‘Unlearning’
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Eternal Recurrence in Nietzsche and Hinton
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Part II Reading Through the Fourth Dimension
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Chapter Four Four-Dimensional Consciousness: The Correspondence Between William James and Charles Howard Hinton
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The Hinton–James Correspondence
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The Fourth Dimension as Conjunctive Relations
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‘A Moving Consciousness’ in William James and Hinton
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William James and the Heroic Will-to-Attention
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Hinton, James and Fechner’s ‘Mother-Sea’ of Consciousness
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Chapter Five H. G. Wells’s Four-Dimensional Literary Aesthetic
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Four-Dimensional Invention
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The Other Invisible Protagonist
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‘An “Habeas Corpus” of an Uncanny Source’
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Wells’s Splintering Frame Technique and ‘Cubist Visual Culture’
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Disruption and Disunity in The Invisible Man
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The Spoils of Boon
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Chapter Six Exceeding ‘The Trap of the Reflexive’: Henry James’s Dimensions of Consciousness
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The Spiralling Consciousness in Henry James
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The Spoils of Poynton (1896–1897)
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‘The Great Good Place’ (1900)
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Henry James and ‘Aesthetic Time’
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‘The Jolly Corner’ (1908)
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‘A Kind of Fourth Dimension’ in Henry James
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- Afterword
- Bibliography
- Index
- 出版地 : 英國
- 語言 : 英文
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