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二十一世紀初期，古典文學研究的重點顯然是整合與跨界，因為角度多元，必須進行「文學」內外跨界的理解，而跨越界線之後，才有更豐富具體的傳統與當代的整合。臺灣大學中文系十數位同仁，合作推動以「文學典範的建立與轉化」為題的整合研究，可說是在重寫文學史或文學批評史的潮流中，進行更後設性的反省，同時照顧到解構主義盛行以來，如何由文本到文本環境乃至於話語權力等等的觀點轉移。全書尤其針對「重新脈絡化文本」與「知識體系的對話與爭逐」兩大主題進行深刻的反思，希望為重寫文學史開拓新視野。
- 導 言········································鄭毓瑜
- 從文本演繹歷程論《西遊記》文學經典意義之形成········································康韻梅
- 馮鎮巒、但明倫評點《聊齋誌異》的批評意識與倫理關懷········································陳翠英
- 母性‧母權‧母神──《紅樓夢》中的王夫人新論········································歐麗娟
- 從「逞才」到「重學」──論漢賦典範之轉化········································吳旻旻
- 《漢書》李陵書寫的深層意涵········································何寄澎
- 自我觀看的影像 ─ 宋代自贊文研究········································謝佩芬
- 王昌齡的「身境」論──《詩格》析義········································蔡 瑜
- 試論陸游筆下的「異族」形象····················································黃奕珍
- 明清滄浪亭古園重修與歷史文化記憶···········································曹淑娟
- 《中國佛教文學史》建構方法芻議··············································蕭麗華
- 詩境想像、辭氣諷詠與性情涵濡 ─《詩集傳》展示的詩歌詮釋進路·····································陳志信
- 舊詩語的地理尺度 ─ 以黃遵憲《日本雜事詩》中的典故運用為例······················鄭毓瑜
- 自西徂東：林樂知與《萬國公報》的文明論述·······························楊芳燕
- 城市華人與歷史時間：梁文福與謝裕民的新加坡圖像······················高嘉謙
- 出版地 ： 臺灣
- 語言 ： 繁體中文
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