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Entertaining German Culture
Audiences for contemporary German film and television are becoming increasingly transnational, and depictions of German cultural history are moving beyond the typical post-war focus on Germany’s problematic past. Entertaining German Culture explores this radical shift, building on recent research into transnational culture to argue that a new process of internal and external cultural reabsorption is taking place through areas of mutually assimilating cultural exchange such as streaming services, an increasingly international film market, and the import and export of Anglo-American media formats.
- Cover
- Title Page
- Copyright Page
- Contents
- List of Illustrations
- Acknowledgments
- Introduction. Entertaining German Culture?
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Part I. Transculturating Screen(ed) Heritage
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Chapter 1. The New German Television and the Newer German Film: A History of Industry Disruption and Synergy
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Chapter 2. Reenacting Propaganda: Quentin Tarantino’s Inglourious Basterds and the Anti-Nazi War Film
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Chapter 3. From Shakespeare to Goethe: German Golden Age Literature and Silver Screen Literacy in Trans/national Times
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Part II. Transnational Streaming Ambitions
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Chapter 4. Deterritorializing the Stasi in Deutschland 83/86/89
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Chapter 5. History in the Mainstream: Charité
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Chapter 6. Mapping Berlin: Space, Trauma, and Transnationalism in Dominik Graf’s Im Angesicht des Verbrechens and the Wachowskis’ Sense8
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Part III. The Transnationalization of German Cultural History
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Chapter 7. Producing Denationalizing Television: The Netflixization of the New Berlin City Genre in Dogs of Berlin
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Chapter 8. Now Mainstreaming: Queer Phenomenology, Techno, and the Transnational in Beat and Futur Drei
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Chapter 9. Looking into the Abyss: The Transnational Puzzle in Dark
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- Filmography
- Index
- 出版地 : 美國
- 語言 : 英文
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