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This book is a timely response to a rather urgent call to seek an updated methodology in rereading and reappraising early Chinese texts in light of newly discovered early writings. For a long time, the concept of authorship in the formation and transmission of early Chinese texts has been misunderstood. The nominal author who should mainly function as a guide to text formation and interpretation is considered retrospectively as the originator and writer of the text. This book illustrates that although some notions about the text as the author’s property began to appear in some Eastern Han texts, a strict correlation between the author and the text results from later conceptions of literary history. Before the modern era, there existed a conceptual gap between an author and a writer. A pre-modern Chinese text could have had both an author and a writer, or even multiple authors and multiple writers. This work is the first study addressing these issues by more systematically emphasizing the connection of the text, the author, and the religious and sociopolitical settings in which these issues were embedded. It is expected to constitute a palpable contribution to Chinese studies and the discipline of philology in general
- Cover
- Title Page
- Copyright
- Dedication
- Preface and Acknowledgments
- Contents
- Introduction
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1 Text, Author, and the Function of Authorship
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1.1 A Text in Early China
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1.2 Authorship
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1.3 Authorship in Early China
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1.4 Authorial Intention and the Bianwei Tradition
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1.5 The Nature of This Study
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1.6 Summary
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2 The Author as Cultural Hero: The Yellow Emperor, the Symbolic Author
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2.1 The Yellow Emperor as an Author in the “Yiwen zhi”
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2.2 The Yellow Emperor with Four Faces
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2.3 The Yellow Emperor in Persuasion
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2.4 The Yellow Emperor, Violence, and Statecraft
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2.5 The Yellow Emperor and Ritual, Religious, and Cosmological Thinking
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2.6 The Yellow Emperor’s Four Classics
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2.7 Summary
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3 The Author as the Head of a Teaching Lineage: Confucius, the Quotable Author
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3.1 Sage, Abandoned Dog, and the Problem of Interpretation
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3.2 The Lunyu prior to the Western Han
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3.3 In the Walls of Confucius’s Mansion: The Archaic, Lu, and Qi Lunyu
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3.4 Hidden in the Walls: Function of the Would-be Lunyu
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3.5 Xiping shijing, the Dunhuang and Turfan Manuscripts, and the Zhanghou lun
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3.6 The Formation of the Lunyu and Re-creation of Confucius
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3.7 The Lunyu, the Chunqiu, and the Quotable Author
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3.8 Summary
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4 The Author as a Patron: Prince of Huainan, the Owner-Author
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4.1 The Author and Its Function in Defining the Huainanzi
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4.2 Liu An’s Presentation to the Emperor
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4.3 Authorship Defined by Esoteric Writings and the Lore of Liu An
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4.4 Editorial Voice in the “Yaolüe” Regarding Multi-pian Text Formation
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4.5 Composition of the “Yaolüe” and Early Postface Writing
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4.6 The Nature of Early Chinese Writing and the Authorship of the Huainanzi
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4.7 Summary
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5 The Author as an Individual Writer: Sima Qian, the Presented Author
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5.1 Early Literature of Individual Frustration and Authorial Voice
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5.2 Reading the Shiji through Frustration, Fame, and Filial Piety
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5.3 Authorial Intent and Textual Chaos in the Shiji Postface
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5.4 “Author of” or “Authored by” Biographical Information
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5.5 Authorial Intent and Han Intellectual Self-Identification
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5.6 Summary
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- Conclusion
- Bibliography
- Index
- 出版地 : 德國
- 語言 : 德文
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