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Arabic Script on Christian Kings
Isabelle Dolezalek is the recipient of the 2018 ICMA Annual Book Prize. Roger II’s famous mantle and other royal garments from twelfth- and thirteenth-century Sicily prominently display Arabic inscriptions. While the phenomenon is highly unusual in the context of Latin Christian kingship, the use of inscriptions as a textile ornament was common and imbued with political functions in the Islamic courts of the medieval Mediterranean. This case study of the inscribed garments from Norman Sicily draws attention to the diverse functions of Arabic textile inscriptions using various contextual frames. Such a contextual approach not only highlights the specificities of the Norman textile inscriptions and emphasises the practical and political choices underlying their use at the Sicilian court, it also pinpoints the flaws of universalising approaches to transcultural ornamental in circulation in the medieval Mediterranean. This new perspective on the royal garments from Norman Sicily draws from a variety of disciplines, including Islamic and European art history, the history of textiles, epigraphy, legal history and historiography, and aims to challenge established notions of cultural and disciplinary boundaries.
- Cover
- Title Page
- Copyright
- Contents
- Preface
- Introduction
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Chapter I Shaping Perceptions: Reading and Interpreting the Norman Arabic Textile Inscriptions
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1 Arabic-Inscribed Textiles from Norman and Hohenstaufen Sicily
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2 Inscribed Textiles and Arabic Inscriptions in European Medieval Arts
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3 Historical Receptions of the Ceremonial Garments from Norman Sicily
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4 Approaches to Arabic Inscriptions in European Medieval Arts: Methodological Considerations
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Chapter II An Imported Ornament? Comparing the Functions of Textile Inscriptions in Sicily and Fatimid Egypt
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1 Courtly Self-Representation and Public Inscriptions in Fatimid Egypt and Norman Sicily
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2 Textile Production in Norman Sicily and Fatimid Egypt
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3 The Textile Evidence: Styles and Contents of Textile Inscriptions in Norman Sicily and Fatimid Egypt
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4 Functions of Textile Inscriptions in Norman Sicily and Fatimid Egypt
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5 Similarities and Differences in Production Modes, Style, Content and Function
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Chapter III Contextualising Ornament: Seeing and Reading Arabic Textile Inscriptions in Norman Public Display
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1 The ‘Populus Trilinguis’ and the Three Languages of the Court
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2 The Weight of Arabic in Norman Public Writing: A Distorted Picture?
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3 Staging Textile Inscriptions: The Norman Garments and Their Contemporary Audiences
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4 Visible or Invisible – Legible or Illegible?
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5 Inscriptions as Sound
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6 Political Scheme or Practical Reasons? Arabic Language in Norman Public Inscriptions
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Chapter IV The Kufic Inscription on Roger II’s Mantle: Continuity as a Political Choice
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1 The Origins of the ‘Arabic Facet’ of Roger II’s Court: ‘Re-Arabisation’?
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2 Tracing Continuities in Silk Production and Epigraphy in Pre-Norman and Norman Sicily
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3 Roger II’s Mantle as Part of a Local Artistic Tradition
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4 Situating the Production of Roger II’s Mantle in its Political Context
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Chapter V A Textile Archive: The Norman Alb as a Document of Political Authority
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1 Arabic Public Writing Under William II
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2 Parallels in William II’s Legal and Artistic Self-Representation
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3 The Alb as Document: Visuality and Materiality in the Performance of Legal Acts
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4 The Political Context of the Alb’s Embroidered Inscription
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5 The Alb as an Archive of Political Continuity and Legitimacy
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- Conclusion
- Appendix
- Image Credits
- Bibliography
- Index
- 出版地 : 德國
- 語言 : 德文
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