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Transnational Representations：The State of Taiwan Film in the 1960s and 1970s
- Acknowledgments
- Introduction
- 1. Framing Taiwan Cinema: Perspectives on History in Hou Hsiao-hsien’s Three Times
- 2. Two Stage Brothers: Tracing a Common Heritage in Xie Jin and Li Xing’s Early 1960s Films
- 3. Projecting a State That Does Not Exist: The Politics of Migration in Bai Jingrui’s 1970 Film Home Sweet Home
- 4. Gender Negotiation in Song Cunshou’s Story of Mother and Taiwan Cinema of the Early 1970s
- Conclusion: Transnationalism and the Structure of Feeling of Taiwan Cinema in the Late 1970s
- Notes
- Bibliography
- Index
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